SYMPTOMS OF THE FUTURE: EXHIBITION IN THE BOX

Izložba je nastala kao rezultat rada na publikaciji koju su uredile Dušica Dražić (Out of Sight), Mirjana Dragosavljević (Stereovizija) i Irena Borić a koju čine prilozi Anamarije Batiste, Irene Borić, Mirjane Dragosavljević, Dušice Dražić, Maje Hodošček, Petre Mrše, Tanje Šljivar i Nataše Šuković.

Sadržaj publikacije ne predstavlja izložbu, ali on to svakako postaje. U pitanju je pokušaj stvaranja okruženja koje omogućava kolektivno promišljanje i povezivanje. Insistira se na kreiranju situacije koja zahteva – odnosno nudi – prisustvo tela u prostoru, bilo kroz kontakt sa publikacijom ili sa izložbenim prostorom. Prihvativši izazov, autorke su izvadile štampani materijal iz kutije, preuzele zvučne i video radove i pretvorile ih u izložbu.

Izdavači publikacije SYMPTOMS OF THE FUTURE: EXHIBITION IN THE BOX su Stereovizija (Beograd), Out of Sight (Antwerp) i Onomatopee (Eindhoven).

Izložbu i publikaciju podržali: Evropska kulturna fondacija, Flamanska zajednica i grad Antverpen.

SYMPTOMS OF THE FUTURE: EXHIBITION IN THE BOX starts from a publication that was collectively developed over past year by Dušica Dražić (Out of Sight), Mirjana Dragosavljević (Stereovizija) and Irena Borić, with contributions by: Anamarija Batista, Irena Borić, Mirjana Dragosavljević, Dušica Dražić, Maja Hodošček, Petra Mrša, Tanja Šljivar, Nataša Šuković.

The content of the publication is not an exhibition, but it can certainly become one. It is an attempt to create an environment that will enable collective thinking and relating. It insists on generating a situation that entails – or offers – the presence of bodies in space, whether through contact with the publication or exhibition space.

We accepted an invitation, took out the printed matter in this box, downloaded video and audio works and transformed it into an exhibition.

Publication SYMPTOMS OF THE FUTURE: EXHIBITION IN THE BOX is published by Out of Sight (Antwerp), Stereovizija (Belgrade) and Onomatopee (Eindhoven) in May 2021.The exhibition and publication were supported by the European Cultural Foundation, the Flemish Community and the city of Antwerp.